Towards an ethical pratice of digital storytelling in Higher Education
Lecturers at CPUT have been using digital storytelling (DST) since 2010 across all faculties and many disciplines: for teaching and learning, in community engagement projects but also more and more as a research methodology. In our context we define digital storytelling as the process of creating a (personal) narrative that documents a wide range of culturally and historically embedded lived experiences, by combining voice, sound and images into a short video, developed by non-professionals with non-professional tools within the context of a digital storytelling workshop (Lambert, 2010; Reed & Hill, 2012).
Introducing DST at our institution has improved digital literacies and student engagement, provided a space for critical reflection and enhanced multicultural learning and engagement across difference. However, adopting this sometimes emotional and process-oriented practice into an educational context, with its constraints of course objectives, assessment regimes, ti